Bio
Zachary Crockett is a prolific composer, computer programmer, and interdisciplinary collaborator living in Minneapolis, Minnesota, USA, where he takes joy in all of life, but especially in music, nature, and scholarship.
Crockett's artistic fascinations lie especially in the perception of music performance as ritual. This philosophy presents itself most forcefully to date in his work Fire: Their Voices Cracked for saxophones, percussion, and didgeridoo. His music has been described most often as primal and reverent.
A frequent collaborator, Mr. Crockett has a particular interest in dance, having formally studied modern dance and choreography himself. Current collaborative projects include works with San Francisco percussionist Jay Bordeleau and Minneapolis choreographer Heather Parker. In October 2004, Zachary worked with Ms. Parker as well as sculptor Bonnie Brabson on the Arts Quarter Collective's ArtsMosis festival, which Crockett now leads along with dancer Annie Hanauer, performance artist Fluffy Singler, and visual artist Julia Kouneski. Parker and Crockett collaborated for the 2005 ArtsMosis festival on Intoxication and the Plastic Energy Complex, a work involving the use of sensors and wireless data transmission to allow the dancer interactive control over the music to which she moves.
Mr. Crockett is currently pursuing his PhD as an Instructional Technology Fellow at the University of Minnesota under the tutelage of Douglas Geers, Alex Lubet, David Gompper, and Judith Lang Zaimont. Mr. Crockett also holds degrees from the Peabody Conservatory of The Johns Hopkins University and the Blair School of Music of Vanderbilt University.
In addition to his current teachers, Crockett's compositional studies have been guided by Robert Sirota, Michael Kurek, and Michael Rose. While attending the American Conservatory in Fontainebleau, France, Zachary took lessons from Isabelle Duha, André Bon, and Marco Stroppa.
Zachary also loves to explore those not-so-oft-reached places in nature. In June and July of 2004, he and his wife, pianist Solange Guillaume, hiked the John Muir Trail, over 200 miles from Mount Whitney, the highest point in California, north, to Yosemite National Park. They also enjoy all varieties of rock climbing together, having scaled stone in the Shawangunks, Red River Gorge, Hueco Tanks, the Berkeley Rocks (Goat, Castle, etc.), Annapolis Rock, and most recently at Bear Lodge a.k.a. Devil's Tower.
Mr. Crockett finds sublime beauty in mathematics, especially fractals, wavelets, and superstring theory. He is currently pursing a PhD minor in computer science.
Crockett currently serves as director of 3-1-3-6, and his future plans include founding a music festival in New Hampshire with Solange Guillaume, and moving thereafter to retrieve his heart, which he left in San Francisco.
Curriculum Vitae
pieces written
- Dance #1, for celesta, piano, bass clarinet, soprano, & two percussionists
- Intoxication and the Plastic Energy Complex (with Heather Parker, pd, gumstix, flex sensors, osc, bluetooth)
- Intoxifix (tape version of above)
- Incidental music for University of Minnesota Fall 2006 mainstage production of Hedda Gabler, directed by Daisy Walker
- Incidental music for University of Minnesota Spring 2007 Xperimental Theatre production of The Phantom Tollbooth, directed by Samantha Johns
- Fight to Flow Between, for saxophone & computer
- foresee:::forsake, for orchestra
- Z.pdh() for bass clarinet, percussion, & piano
- Janus Geminus, for brass choir
- Attention, fixed media
- Techno Sine NoMine, fixed media
- Give My Word, fixed media
recent performances
- Dance #1 (5/3/2008, Lloyd Ultan Recital Hall, by the Renegade Ensemble)
- Fight to Flow Between (2/15/2008, Grace University Lutheran Church, Preston Duncan saxophone)
- Attention (60x60 2007 Midwest Minutes)
- Z.pdh() (5/12/2007, Studio Z, Zeitgeist)
- Phantom Tollbooth (Spring 2007)
- Hedda Gabler (Fall 2006)
- Intoxication and the Plastic Energy Complex (2/23/2006, Southern Theater, Spark Festival, Heather Parker dance)
- Fight to Flow Between (2/23/2006, Coffman Whole, Spark Festival, Brian Sacawa saxophone)
- Janus Geminus (4/12/2005, Ted Mann, University of Minnesota Brass Choir)
grants & fellowships
- Instructional Technology Fellowship, Language Center (2007-present)
- Instructional Technology Fellowship, Music (2005-2007)
- Graduate Research Partnership Program (Summer 2005)
- Graduate School Fellowship (2004-2005)
- Multiple ASCAPlus Awards
software
- BoopEvolve (Java, genetic parameter evolution for real-time performance)
- Intoxication and the Plastic Energy Complex (Pd, Java, C, music performance)
- Fight to Flow Between (Pd, music performance)
- BeatDetector (Java, co-author, machine learning, music information retrieval)
- xtz (Java, co-author, peer-to-peer distributed processing engine)
- LabMovie (Objective-C, Cocoa, for deaf child psychology research)
- Beginning work on MetroRubette, rhythmic analysis (Java)
- Extensive web application development experience, selections:
- University of Minnesota Language Proficiency Exam (Ruby on Rails, assistant project manager)
- Spark Submission and Adjudication System (PHP)
- Minnesota Film and TV Board Production Guide (PHP)
publications
- A New Framework for Genetic Parameter Evolution (Spark 2006 Proceedings, Presented 2/24/06 Spark Festival)
